France d'Europe Pétrole en gros Peignant, le Cadre d'Image, Mouler, le Miroir, les Barres de Civière

 
 

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Anthony Van Dyck

Dutch 1599-1641 Anthony Van Dyck Locations

ID de tableau::  1068
Portrait of a Gentleman
Le portrait d-un Gentilhomme
1624 Pinakothek, Munich
1624 Pinakothek, Munich
Dutch 1599-1641 Anthony Van Dyck Locations

   
 

 

 
   
      

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Blanchet, Louis-Gabriel

French Painter, 1705-1772

ID de tableau::  10844
Portrait of a Gentleman
le Portrait d-un Gentilhomme
1752, oil on canvas, private collection
1752, huiler sur le canevas, la collection privée
French Painter, 1705-1772

   
 

 

 
   
      


ID de tableau::  28839
Portrait of a Gentleman
le Portrait d~un Gentilhomme
mk65 Oil on canvas 43 11/16x37 13/16in
mk65 Pétrole sur le canevas 43 11/16x37 13/16in

   
 

 

 
   
      


ID de tableau::  29016
Portrait of a Gentleman
le Portrait d~un Gentilhomme
mk65 Oil on canvas 33 7/16x26 3/8in Pitti,Palatine Gallery
mk65 Pétrole sur le canevas 33 7/16x26 3/8in Pitti, la Galerie de Palatine

   
 

 

 
   
      

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HOLBEIN, Ambrosius

German Northern Renaissance Painter, 1494-ca.1519

ID de tableau::  29294
Portrait of a Gentleman
le Portrait d~un Gentilhomme
mk65 1518 Oil on panel 17x13"
mk65 1518 Huilent sur le panneau 17x13
German Northern Renaissance Painter, 1494-ca.1519

   
 

 

 
   
      

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CAPRIOLO, Domenico

Italian painter, Venetian school (b. 1494, Venezia, d. 1528, Treviso)

ID de tableau::  29295
Portrait of a Gentleman
le Portrait d~un Gentilhomme
mk65 1512 Oil on canvas 46x33 1/2"
mk65 1512 Huilent sur le canevas 46x33 1/2
Italian painter, Venetian school (b. 1494, Venezia, d. 1528, Treviso)

   
 

 

 
   
      

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Jean-Antoine Watteau

1684-1721 Antoine Watteau Art Locations

ID de tableau::  29651
Portrait of a Gentleman
le Portrait d~un Gentilhomme
1715-20 Oil on canvas, 130 x 97 cm
1715-20 Pétrole sur le canevas, 130 x 97 cm
1684-1721 Antoine Watteau Art Locations

   
 

 

 
   
      

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J.J.Tissot

French 1836-1902

ID de tableau::  37633
Portrait of a Gentleman
le Portrait d~un Gentilhomme
mk127 17x26
mk127 17x26
French 1836-1902

   
 

 

 
   
      

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Barthel Bruyn the Elder

German Northern Renaissance Painter, 1493-1555

ID de tableau::  42959
Portrait of a Gentleman
mk170 circa 1534 Oil onoak 36.2x24.8cm
German Northern Renaissance Painter, 1493-1555

   
 

 

 
   
      

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BOLTRAFFIO, Giovanni Antonio

Italian High Renaissance Painter, ca.1466-1516

ID de tableau::  42986
Portrait of a Gentleman
mk170 circa 1500 Oil on wood 56.5x42.5cm
Italian High Renaissance Painter, ca.1466-1516

   
 

 

 
   
      

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Giovanni Battista Moroni

Italian c1520-1578

ID de tableau::  43054
Portrait of a Gentleman
mk170 circa 1555 Oil on canvas 202.3x106.5cm
Italian c1520-1578

   
 

 

 
   
      

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Pompeo Batoni

Italian 1708-1787 Pompeo Batoni Location

ID de tableau::  43286
Portrait of a Gentleman
mk170 1760-1770 Oil on canvas 134.6x96.3cm
Italian 1708-1787 Pompeo Batoni Location

   
 

 

 
   
      

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BARTOLOMEO VENETO

Italian Painter, ca.1470-1531

ID de tableau::  63841
Portrait of a Gentleman
1512 Oil on panel, 73 x 58 cm Galleria Nazionale d'Arte Antica, Rome Earlier this picture was described as a work of Leonardo. Later, the panel was attributed to Holbein. Finally, of exceptionally high quality, the painting was given to Bartolomeo Veneto by comparing it to two other portraits by the same painter, now at Houston and Washington. The proposed dating is the second decade of the sixteenth century (perhaps 1512), in the wake of Bartolomeo's sojourn in Ferrara between 1506 and 1508. Bartolomeo Veneto (Bartolommeo Veneziano) attracted attention at the end of the 19th century. He was a pupil of Gentile Bellini, he worked at the Court of the Grand Duke of Ferrara and elsewhere. There he came under the influence of LOmbard artists. The artist enriched his original Venetian pictorial language with direct exposure to the influence of Albrecht D?rer, who had been active in Venice in the first years of the sixteenth century. The figures of the knight and the soldier, visible in the background, are literally copied from a 1496 woodcut by D?rer. The identity of the sitter, however, remains a mystery. We do know, however, that he must have been a gentleman attached to the Mantuan court of the Gonzagas. Recently, it was suggested that Bartolomeo Veneto may have been the talented portraitist working in Raphael's workshop who was responsible for the faces of the chair-bearers in the Vatican Palace's Mass of Bolsena. Several inscriptions are legible in the painting: on the medal of the sitter's beret is written "Probasti e Chognovisti"; on the placard above the animal on the medal are the Greek letters epsilon and tau; and along the edge of the plaquette that decorates the sword handle, "IN(?) B:VF" and "NO SPI(E)".Artist:BARTOLOMEO VENETO Title: Portrait of a Gentleman Painted in 1501-1550 , Italian - - painting : portrait
Italian Painter, ca.1470-1531

   
 

 

 
   
      

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Domenico Tintoretto

Italian, 1560-1635

ID de tableau::  80404
Portrait of a Gentleman
Portrait of a Gentleman, oil on canvas // Priv. coll Date 16-17 c, cjr
Italian, 1560-1635

   
 

 

 
   
      

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Rodrigo de Villandrando

Rodrigo de Villandrando (1588 - December 1623) was a court painter during the reign of Philip III of Spain. He worked in the tradition of Alonso Senchez Coello and Juan Pantoja de la Cruz. His death opened the road to court for the young painter Diego Velezquez from Sevilla.

ID de tableau::  82710
Portrait of a Gentleman
Oil on canvas Dimensions Height: 125 cm (49.2 in). cyf
Rodrigo de Villandrando (1588 - December 1623) was a court painter during the reign of Philip III of Spain. He worked in the tradition of Alonso Senchez Coello and Juan Pantoja de la Cruz. His death opened the road to court for the young painter Diego Velezquez from Sevilla.

   
 

 

 
   
      

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John Neagle

1796-1860 John Neagle Gallery

ID de tableau::  84300
Portrait of a gentleman
Date 1845(1845) Medium Oil on canvas Dimensions 76.2 x 63.5 cm (30 x 25 in) cjr
1796-1860 John Neagle Gallery

   
 

 

 
   
      

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Domenico Tintoretto

Italian, 1560-1635

ID de tableau::  84642
Portrait of a Gentleman
oil on canvas // Priv. coll Date 16-17 c, cyf
Italian, 1560-1635

   
 

 

 
   
      

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Giovanni Battista Moroni

Italian c1520-1578

ID de tableau::  86051
Portrait of a Gentleman
Date c. 1550(1550) Medium Oil on canvas Dimensions Height: 202 cm (79.5 in). Width: 106 cm (41.7 in). cjr
Italian c1520-1578

   
 

 

 
   
      


ID de tableau::  87885
Portrait of a Gentleman
Oil on canvas cyf
1734-97

   
 

 

 
   
      

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John Neagle

1796-1860 John Neagle Gallery

ID de tableau::  88762
Portrait of a gentleman
1845(1845) Medium Oil on canvas Dimensions 76.2 x 63.5 cm (30 x 25 in) cyf
1796-1860 John Neagle Gallery

   
 

 

 
   
      

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Giovanni Battista Moroni

Italian c1520-1578

ID de tableau::  90113
Portrait of a Gentleman
1550(1550) Medium oil on canvas cyf
Italian c1520-1578

   
 

 

 
   
      

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Anthonis Mor

(c. 1517 - 1577) was a Netherlandish portrait painter, much in demand by the courts of Europe. He has also been referred to as Antoon, Anthonius, Anthonis, or Mor van Dashorst, Antonio Moro, Anthony More, etc., but signed most of his portraits as, Anthonis Mor. Mor was born in Utrecht, Netherlands by some estimation between 1516 and 1520. What is known of his early life is that his artistic education commenced under Jan van Scorel. His earliest work is probably a portrait at Stockholm, dated 1538. A group of Knights of St. John, at Utrecht, supposed to have been painted about 1541; a picture of two pilgrims at the Gemäldegalerie, Berlin, dated 1544; together with the portrait of an unknown woman, in the Lille gallery, were probably among his earliest works although their authenticity has not been proved. In 1547, he was received as a member of the Venerable Guild of St. Luke at Antwerp, and shortly afterwards (about 1548) he attracted the attention of Cardinal Granvelle, Bishop of Arras, who became his steady patron. Of the portraits executed during the early period of his career as Granvelle's protege, two are especially notable: one of the bishop himself (in the imperial gallery in Vienna), and one of the Duke of Alba, which now belongs to the Hispanic Society of New York. Between 1549 and 1550 Prince Philip II of Spain (1527-1598) traveled around the Netherlands to present himself as the future ruler. Mor painted his portrait in Brussels in 1549. He probably visited Italy (when exactly is not known) where he copied some works by Titian, notably the Danaë.

ID de tableau::  90804
Portrait of a Gentleman
oil on panel, 68 x 53 cm (26.8 x 20.9 in). Date 1560(1560) cyf
(c. 1517 - 1577) was a Netherlandish portrait painter, much in demand by the courts of Europe. He has also been referred to as Antoon, Anthonius, Anthonis, or Mor van Dashorst, Antonio Moro, Anthony More, etc., but signed most of his portraits as, Anthonis Mor. Mor was born in Utrecht, Netherlands by some estimation between 1516 and 1520. What is known of his early life is that his artistic education commenced under Jan van Scorel. His earliest work is probably a portrait at Stockholm, dated 1538. A group of Knights of St. John, at Utrecht, supposed to have been painted about 1541; a picture of two pilgrims at the Gemäldegalerie, Berlin, dated 1544; together with the portrait of an unknown woman, in the Lille gallery, were probably among his earliest works although their authenticity has not been proved. In 1547, he was received as a member of the Venerable Guild of St. Luke at Antwerp, and shortly afterwards (about 1548) he attracted the attention of Cardinal Granvelle, Bishop of Arras, who became his steady patron. Of the portraits executed during the early period of his career as Granvelle's protege, two are especially notable: one of the bishop himself (in the imperial gallery in Vienna), and one of the Duke of Alba, which now belongs to the Hispanic Society of New York. Between 1549 and 1550 Prince Philip II of Spain (1527-1598) traveled around the Netherlands to present himself as the future ruler. Mor painted his portrait in Brussels in 1549. He probably visited Italy (when exactly is not known) where he copied some works by Titian, notably the Danaë.

   
 

 

 
   
      

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MORETTO da Brescia

Italian High Renaissance Painter, 1498-1554

ID de tableau::  91517
Portrait of a Gentleman
1526(1526) Medium oil on canvas Dimensions Height: 201 cm (79.1 in). Width: 92 cm (36.2 in). cyf
Italian High Renaissance Painter, 1498-1554

   
 

 

 
   
      

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Francis Hayman

English Painter, 1708-1776

ID de tableau::  93253
Portrait of a Gentleman
c. 1750 Medium oil on canvas Dimensions 25 x 30 1/8 in. (63.5 x 76.5 cm) cjr
English Painter, 1708-1776

   
 

 

 
   
      

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Nicolas de Largilliere

1656-1746 French Nicolas de Largilliere Gallery

ID de tableau::  95318
Portrait of a Gentleman
Date fourth quarter of 17th century or first quarter of 18th century Medium oil TTD
1656-1746 French Nicolas de Largilliere Gallery

   
 

 

 
   
      

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Jacobus Vrel

Dutch Baroque Era Painter, active ca.1654-1662

ID de tableau::  96614
Portrait of a gentleman
circa 1650(1650) Medium oil on canvas Dimensions 43 X 34 cm cyf
Dutch Baroque Era Painter, active ca.1654-1662

   
 

 

 
   
      

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Bartholomeus van der Helst

1613-1670 Dutch Bartholomeus Van Der Helst Galleries

ID de tableau::  98097
Portrait of a Gentleman
1653(1653) Medium oil on canvas Dimensions 111.2 x 95.1 cm cyf
1613-1670 Dutch Bartholomeus Van Der Helst Galleries

   
 

 

 
   
      

Bartholomeus van der Helst
1613-1670 Dutch Bartholomeus Van Der Helst Galleries
Portrait of a Gentleman

        
 
   
 

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